Contemporary photographs mounted under Plexiglas and encased in Plexiglas (2010–2017).

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Personalities encased in Plexiglas

Prof. Dusan Sidjanski & L'Europe

Œuvre originale sur Plexiglas  22/22/4 cm 2010

Prof Dusan Sidjanski - Denis de Rougement - M. Barroso - Pres. Medvedev

Œuvre originale sur Plexiglas  22/22/4 cm 2010

HERVE DESSIMOZ

Original work on Plexiglas 22/22/4 cm 2010

Hervé Dessimoz in a perspex block

Original work on Plexiglas 22/22/4 cm 2010

Prof. Patrick Aebischer Président EPFL

2010

Prof. Patrick Aebischer, présidemt EPFL

Original work on Plexiglas 22/38/5 cm 2010

Bertrand Piccard + André BORCHBERG

Original work on Plexiglas 22/22/4 cm 2010

Autoportrait

Original work on Plexiglas 22/22/4 cm 2010

ELLE

Original work on Plexiglas 22/25/5 cm 2010

HAMLET & Freud

Original work on Plexiglas 22/22/4 cm 2010

Photographs encased in Plexiglas: portraits of personalities (2009–2017).

Between 2009 and 2017, Catherine de Saugy created a series of photographic portraits presented in a Plexiglas case—at once works of art and objects of memory. Commissioned by figures from politics, science, architecture, and art, these creations illuminate not merely a face but a life’s trajectory and each subject’s legacy.

Represented personalities

  • Politics: Prof. Dusan Sidjanski, professor at UNIGE, founder of the Chair of Political Economy and adviser to Manuel Barroso at the Council of Europe.

  • Architecture: Hervé Dessimoz, architect of the Mont Blanc refuge and CERN’s Globe of Science and Innovation.

  • Art: Self-portrait by Catherine de Saugy and the enigmatic portrait WHO ?.

  • Sciences: Prof. Patrick Aebischer, president of EPFL.

  • Exploration and innovation: Bertrand Piccard and Prof. André Borschberg for the Solar Impulse project.

An exceptional technique

Each portrait is encapsulated within a perfectly polished block of Plexiglas (PPMA), measuring about 22–25 cm per side and 4–5 cm thick. The process is meticulous: the image—born of a staged photographic montage by the artist—is giclée-printed onto a first sheet, then sealed with a second, forming a transparent block that can be viewed from every angle.

The result of nearly one hundred hours of work per piece, this technique gives the works luminous purity, unique depth, and a timeless sense of preservation. The Plexiglas support is fabricated by Swiss artist Rolf Zweifel, a trusted collaborator of Catherine de Saugy.

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exigence

Catherine de Saugy’ work is a fascinating combination of realism and fantasy, technically of the highest quality.

Dr. Carol Damian

curator – art criticc